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» About BAU » About Al-Salt City |
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About Al-Salt City
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The town of Salt was of great
importance in the 19th and
early 20th century, during the
time of Turkish rule in
Jordan. It was the chief
administrative center for the
surrounding area and, in the
1920s, it seemed the likely
choice for the capital of the
newly-independent state of
Transjordan. However, Salt was
bypassed in favor of the more
centrally located village of
Amman. The result is that
Amman has been transformed
into a thriving modern city,
while Salt has
retained its small town charm.
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Due to its history as an
Ottoman center of government,
Salt is filled with wonderful
Ottoman architecture in the
classical style. Immediately
recognizable are the Ottoman
houses with their long-arched
windows.
An array of tall Ottoman
minarets towers over the
village, along with church
steeples, as Salt is also known
for its Christian community. A
morning or evening spent
strolling through the
picturesque streets of this
charming hill village is time
well spent. |
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Salt is also the final resting
place of the Prophet Ayyoub
(Job), whose legendary patience
and faith gave him strength to
endure tremendous hardships and
ultimately be rewarded with
blessings (Job 1-3, Quran 38:
41-44). Another prophet—Shu'ayb
(Jethro), the Midianite
father-in-law of Prophet Musa
(Moses)—is said to be buried in
a tomb near Salt in Wadi
Shu'ayb. |
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Salt is about thirty kilometers
northwest of Amman. Just before
you enter the main part of the
city (from Amman), you will see
the Department of Antiquities
Museum and the Tourist Office on
the left. The museum houses an
assortment of pottery and coins
dating from the Chalcolithic
period (4500 BCE) through the
Mamluk period (1516 CE), as well
as Byzantine mosaic panels and
early photographs of Salt. Just
off the main street is the Salt
Cultural Center. This complex,
which opened in 1989, houses
another museum, a library, a
handicraft school and Salt’s
main hall. The handicraft school
teaches ceramics, weaving, silk
screen printing and dyeing to
students, who then sell their
craftwork, making the project
self-financing.
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